PRESS

"Showet kulminerer med en live opførelse af Karlheinz Stockhausens Helikopterstrygekvartet. Det er normalt en bekostelig affære at opføre værket, for der skal bruges store mængder af helikopterbrændstof. Men Horst Possling har fundet en nem og billig løsning. Det er frivillige fra publikum, som bliver sat til at spille tremolo på fire strygerinstrumenter. Og med lidt røg, blitzende lamper og en fjernstyret minihelikopter er oplevelsen total."
- Danish Radio - SEE some of that performance here (SEE "Lyg of video")

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"Unlike conventional bands, Horst Possling has the form of an intellectual epic, presented as a series of mutual confrontations exposing the complicitness of the protagonists."
– Kos
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"Paint My Teeth ist die wundersamste Schallplatte seit Conlon Nancarrows Study No.60. Fast scheint es als habe dieser Horst Possling höchstpersönlich das Gehirn perforiert."
- Klara Winterhagen, nmz
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"No other continent and no other group has produced a tradition of major aesthetic debate to compare with that which is unfolding in Europe at this moment. Horst Possling is the key to delineating the great controversy between Capitalism and aesthetics over ergonomics and art."
- Fred James, The Plug
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" Frequently profane, uproarious, vulgar, searing and poignant, but always nakedly honest…kind of how Lou Reed might play if he could."
– Brooke Gladstone, National Public Radio
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"Two Thumbs Way Up."
– Ebert & Roeper
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"Some groups defy boundaries. Some defy the odds. Horst Possling defies both! Don’t miss your chance to see the original award–winning sensation!"
- The Boston Globe
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"Truly Awesome!"
– The New Yorker
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"This is vital listening for anyone concerned with the relations between art and capitalism."
- Howard Stern
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"3 E’s: Eccentric, Entrancing, Enough!!!!"
– Village Voice
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"mutagen!"
- Friedrich Friedrichsen, Spex
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